{"id":167,"date":"2016-11-16T10:18:13","date_gmt":"2016-11-16T10:18:13","guid":{"rendered":"http:\/\/themes.muffingroup.com\/be\/fireplace\/?page_id=11"},"modified":"2026-02-18T10:02:16","modified_gmt":"2026-02-18T10:02:16","slug":"about","status":"publish","type":"page","link":"https:\/\/nasdahab.com\/index.php\/about\/","title":{"rendered":"About"},"content":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row&#8221; parallax=&#8221;content-moving&#8221; parallax_image=&#8221;492&#8243; parallax_speed_bg=&#8221;3&#8243; css=&#8221;.vc_custom_1561507196631{background-color: #1f2124 !important;}&#8221;][vc_column][vc_column_text]<div class=\"image_frame image_item no_link scale-with-grid alignleft no_border\" ><div class=\"image_wrapper\"><img loading=\"lazy\" decoding=\"async\" class=\"scale-with-grid\" src=\"http:\/\/nasdahab.com\/wp-content\/uploads\/2019\/06\/au-home-199x300.jpg\" alt=\"au-home-199x300\" width=\"199\" height=\"300\" \/><\/div><\/div>\n<h2 style=\"text-align: left;\"><span style=\"color: #ffffff;\">Amr Muneer Dahab<\/span><\/h2>\n<p style=\"color: #bcbdbe; text-align: left;\"><span style=\"color: #ffffff;\">is a Sudanese-born essayist and poet, best known for his critical essays tackling controversial cultural, literary, intellectual, and political issues in the Arab world and worldwide. His over twenty years\u2019 experience as a columnist in opinion journalism, in addition to his academic engineering degree and relevant practical career, allowed his words to be architected in a skillfully depict reality with honesty, objectivity, and creativity.<\/span><\/p>\n<h3 style=\"color: #bcbdbe; text-align: left;\"><span style=\"color: #ffffff;\"><strong>Personal Life<\/strong><\/span><\/h3>\n<ul>\n<li><span style=\"color: #ffffff;\">Born in\u00a0<em>Khartoum, Sudan<\/em><\/span><\/li>\n<li><span style=\"color: #ffffff;\">Received\u00a0his\u00a0primary and secondary education in Sudan<\/span><\/li>\n<li><span style=\"color: #ffffff;\">Moved with his family to\u00a0<em>Kuwait<\/em>\u00a0where he\u00a0completed\u00a0high school<\/span><\/li>\n<li><span style=\"color: #ffffff;\">Joined the\u00a0<em>Faculty of Engineering\/Electrical Engineering Department at\u00a0Mansoura\u00a0University in Egypt<\/em><\/span><\/li>\n<li><span style=\"color: #ffffff;\">Had been\u00a0to\u00a0many\u00a0countries, and settled in the\u00a0<em>United Arab Emirates<\/em>\u00a0to work in the field of electrical engineering\u00a0while\u00a0writing in\u00a0the\u00a0<em>Sudanese<\/em>\u00a0newspapers<\/span><\/li>\n<\/ul>\n<h3><span style=\"font-size: 18pt; color: #ffffff;\"><strong>Professional Memberships and Certifications<\/strong><\/span><\/h3>\n<ul>\n<li><span style=\"color: #ffffff;\">Senior Member of the Institute of Electrical and Electronics Engineers, United States<\/span><\/li>\n<li><span style=\"color: #ffffff;\">Certificate in Claims Preparation and Dispute Management, College of Contract Management, United Kingdom<\/span><span style=\"color: #ffffff;\">\u00a0<\/span><\/li>\n<\/ul>\n<h3 style=\"color: #bcbdbe; text-align: left;\"><span style=\"color: #ffffff;\"><strong>Writing Journey<\/strong><\/span><\/h3>\n<ul>\n<li style=\"color: #ffffff;\"><span style=\"color: #ffffff;\">Started writing\u00a0poetry\u00a0at\u00a0high school<\/span><\/li>\n<li style=\"color: #ffffff;\"><span style=\"color: #ffffff;\">Kept and developed\u00a0his\u00a0poetic experience throughout university study years.<\/span><\/li>\n<li style=\"color: #ffffff;\"><span style=\"color: #ffffff;\">Received poetry awards during\u00a0college years, including the First Level Prize of Poetry at the\u00a0<em>14<sup>th<\/sup>\u00a0Youth Cultural and Artistic Meeting of Egyptian Universities<\/em>\u00a0in 1989<\/span><\/li>\n<li style=\"color: #ffffff;\"><span style=\"color: #ffffff;\">After graduation from\u00a0<em>University<\/em>,\u00a0he opted for the essay as a form of writing with all its literary and journalistic dimensions<\/span><\/li>\n<li style=\"color: #ffffff;\"><span style=\"color: #ffffff;\">Worked\u00a0for many Sudanese newspapers starting from the mid-1990s<\/span><\/li>\n<li style=\"color: #ffffff;\"><span style=\"color: #ffffff;\">Has more than forty books published in Arabic and English<\/span><\/li>\n<li style=\"color: #ffffff;\"><span style=\"color: #ffffff;\">Many Arab newspapers\u00a0have\u00a0been concerned with his\u00a0works and seminars<\/span><\/li>\n<li style=\"color: #ffffff;\"><span style=\"color: #ffffff;\">His lectures received\u00a0much\u00a0attention\u00a0and coverage from the part of the Media<\/span><\/li>\n<li style=\"color: #ffffff;\"><span style=\"color: #ffffff;\">Has been received by many\u00a0radio and television\u00a0channels\u00a0to talk about\u00a0his work and experience\u00a0as an essayist and writer<\/span><\/li>\n<\/ul>\n<h3 style=\"color: #bcbdbe; text-align: left;\"><span style=\"color: #ffffff;\"><strong>Amr&#8217;s Books in English<\/strong><\/span><\/h3>\n<ul>\n<li><span style=\"color: #ffffff;\"><strong>Damn the Novel<\/strong><strong>: <\/strong>When a Privileged Genre Prevails Over All Forms of Creative Writing (AuthorHouse &#8211; Bloomington, Indiana 2018)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Facing Troublemakers<\/strong> (AuthorHouse &#8211; Bloomington, Indiana 2020)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>You Are Always Good to Go<\/strong> (AuthorHouse &#8211; Bloomington, Indiana 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Life Painkillers<\/strong> (AuthorHouse &#8211; Bloomington, Indiana 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Cuisine<\/strong>: Feeling Food (AuthorHouse &#8211; Bloomington, Indiana 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Reading<\/strong> (AuthorHouse &#8211; Bloomington, Indiana 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Pocket<\/strong>: Your Personal Economy (AuthorHouse &#8211; Bloomington, Indiana 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Inspire<\/strong> (AuthorHouse &#8211; Bloomington, Indiana 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Criticizing<\/strong> (AuthorHouse &#8211; Bloomington, Indiana 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Stubborn in Love: Poems<\/strong> (AuthorHouse &#8211; Bloomington, Indiana 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Deep<\/strong> (AuthorHouse &#8211; Bloomington, Indiana 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Wisdom Highway<\/strong> (AuthorHouse &#8211; Bloomington, Indiana 2022)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Boss and Subordinate: <\/strong>In Management Literature (AuthorHouse &#8211; Bloomington, Indiana 2026)<\/span><\/li>\n<\/ul>\n<h3 style=\"color: #bcbdbe; text-align: left;\"><span style=\"color: #ffffff;\"><strong>Amr&#8217;s Books in Arabic<\/strong><\/span><\/h3>\n<ul>\n<li><span style=\"color: #ffffff;\"><strong>Between the Average Writer and Osama Anwar Okasha<\/strong> (Khartoum as the Capital of Arabic Culture 2006)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Sudanese Genes <\/strong>(Dar Azza &#8211; Khartoum 2010)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>The Sudanese Character in the Eyes of the Sudanese Elite<\/strong> (Dar Azza &#8211; Khartoum 2010)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>From a Non-Professional Listener to Mohamed Wardi<\/strong> (Dar Al Mahrousa &#8211; Cairo 2011)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Wisdom Highway<\/strong> (Dar Al Mahrousa &#8211; Cairo 2011)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>O Writers Be Humble<\/strong> (Editions Difaf &#8211; Beirut 2013)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>No Compulsion in Revolution<\/strong> (Editions Difaf \u2013 Beirut, Dar Al- Aman \u2013 Rabat, Editions El Ikhtilef &#8211; Algeria 2013)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Tales of a Poor Expatriate<\/strong> (Editions Difaf \u2013 Beirut, Dar Al- Aman &#8211; Rabat 2014)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Your Bedroom in Globalization<\/strong> (Editions Difaf \u2013 Beirut, Dar Al- Aman &#8211; Rabat 2014)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Some of My Improprieties<\/strong> (Dar Al-Yasmeen &#8211; Sharjah 2015)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>On the Margins of the Sudanese Character<\/strong> (Dar Al Mahrousa &#8211; Cairo 2015)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Arab Genes<\/strong>: The Unrevealed Phases of the Arab Character (Editions Difaf \u2013 Beirut, Editions El Ikhtilef &#8211; Algeria 2015)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>The Sudanese Character Between Tayeb Salih and Hassan\u00a0 Al -Turabi<\/strong> (Dar Al Mosawarat &#8211; Khartoum 2016)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Memories of Easygoing Students<\/strong> (Dar Al Mosawarat &#8211; Khartoum 2016)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>O Old Man: <\/strong>About Aging (Editions Difaf \u2013 Beirut, Editions El Ikhtilef \u2013 Algeria, Dar Oma &#8211; Baghdad 2016)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Damn the Novel: <\/strong>When a Privileged Genre Prevails Over All Forms of Creative Writing (Arab Scientific Publishers &#8211; Beirut 2017)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Feelings and Ideas I Do Not Own<\/strong> (Editions Difaf \u2013 Beirut, Editions El Ikhtilef \u2013 Algeria, Dar Al- Aman &#8211; Rabat, Everything Library \u2013 Haifa, Palestine 2018)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Halfa and the Sudanese Character<\/strong> (Dar Madarat &#8211; Khartoum 2019)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Who Are We? The Question Is Inevitable<\/strong> (Dar Madarat &#8211; Khartoum 2019)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Genres War<\/strong> (Editions Difaf \u2013 Beirut, Editions El Ikhtilef &#8211; Algeria 2019)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>The Sudanese Character: The Complete Works<\/strong> (Dar Al Mosawarat &#8211; Khartoum 2019)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Revolutionary Genes<\/strong> (Editions Difaf \u2013 Beirut, Editions El Ikhtilef &#8211; Algeria 2020)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>A Collection of a Resigned Poet: Poems<\/strong> (Editions Difaf \u2013 Beirut, Editions El Ikhtilef &#8211; Algeria 2020)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>For Her Passionately: Poems<\/strong> (Editions Difaf \u2013 Beirut, Editions El Ikhtilef &#8211; Algeria 2020)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Everything in Life Is a Trend<\/strong> (Editions Difaf \u2013 Beirut, Editions El Ikhtilef &#8211; Algeria 2020)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Literary Atheism<\/strong> (Editions Difaf \u2013 Beirut, Editions El Ikhtilef &#8211; Algeria 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Egyptian Genes: About the Particularity of Egyptians<\/strong> (Editions Difaf \u2013 Beirut, Editions El Ikhtilef &#8211; Algeria 2021)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Fame Logarithms <\/strong>(Editions Difaf \u2013 Beirut, Editions El Ikhtilef &#8211; Algeria 2022)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>Football Genes<\/strong> (Editions Difaf \u2013 Beirut, Editions El Ikhtilef &#8211; Algeria, Dar Al- Aman \u2013 Rabat 2023)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong style=\"color: #ffffff;\">Deep: <\/strong>In Wisdom Literature and Self-<span style=\"color: #ffffff;\">Enlightenment (Dar Al- Aman \u2013 Rabat, Editions El Ikhtilef &#8211; Algeria, Editions Difaf \u2013 Beirut 2024)<\/span><\/span><\/li>\n<li><span style=\"color: #ffffff;\"><span style=\"color: #ffffff;\"><b>We the Actors: Everything but the Truth (<\/b>Editions Difaf \u2013 Beirut,\u00a0 Editions El Ikhtilef &#8211; Algeria, Dar Al- Aman \u2013 Rabat 2024)<\/span><\/span><\/li>\n<li><span style=\"color: #ffffff;\"><span style=\"color: #ffffff;\"><b>Feminine Genes: About the Particularity of Eve<\/b>\u00a0(Editions Difaf \u2013 Beirut,\u00a0 Editions El Ikhtilef &#8211; Algeria, Dar Al- Aman \u2013 Rabat 2024)<\/span><\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong>An Inquisition into the Heart of Al-Mutanabbi<\/strong>\u00a0(Dar Al- Aman \u2013 Rabat, Editions Difaf \u2013 Beirut, , Editions El Ikhtilef &#8211; Algeria 2024)<\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong style=\"color: #ffffff;\">Do and Do Not Do the Same Thing <\/strong><span style=\"color: #ffffff;\">(Dar Al- Aman \u2013 Rabat, Editions El Ikhtilef &#8211; Algeria, Editions Difaf \u2013 Beirut 2025)<\/span><\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong style=\"color: #ffffff;\">People and Statuses <\/strong><span style=\"color: #ffffff;\">(Editions El Ikhtilef &#8211; Algeria, Editions Difaf \u2013 Beirut, Sameh Publishing &#8211; Sweden 2025)<\/span><\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong style=\"color: #ffffff;\">Shawqi, the Closing Musk of Poets <\/strong><span style=\"color: #ffffff;\">(Editions El Ikhtilef &#8211; Algeria, Editions Difaf \u2013 Beirut, Sameh Publishing &#8211; Sweden 2025)<\/span><\/span><\/li>\n<li><span style=\"color: #ffffff;\"><strong style=\"color: #ffffff;\">Boss and Subordinate: In Management Literature <\/strong><span style=\"color: #ffffff;\">(Editions El Ikhtilef &#8211; Algeria, Editions Difaf \u2013 Beirut, Sameh Publishing &#8211; Sweden 2025)<\/span><\/span><\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; parallax=&#8221;content-moving&#8221; parallax_image=&#8221;492&#8243;][vc_column][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #ffffff;\">\u0627\u0644\u0639\u0631\u0628\u064a\u0629<br \/>\n<\/span><\/h3>\n<h2 style=\"text-align: right;\"><span style=\"color: #ffffff;\">\u0639\u0645\u0631\u0648 \u0645\u0646\u064a\u0631 \u062f\u0647\u0628<br \/>\n<\/span><\/h2>\n<h3 style=\"text-align: right;\"><span style=\"color: #ffffff;\"><strong>\u0627\u0644\u0645\u064a\u0644\u0627\u062f *<br \/>\n<\/strong><\/span><\/h3>\n<p style=\"font-size: 18px; color: white; text-align: right;\">\u0627\u0644\u062e\u0631\u0637\u0648\u0645 \u2013 \u0627\u0644\u0633\u0648\u062f\u0627\u0646 *<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_btn title=&#8221;More&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#6b5540&#8243; custom_text=&#8221;#ffffff&#8221; size=&#8221;sm&#8221; align=&#8221;right&#8221; link=&#8221;url:http%3A%2F%2Fnasdahab.com%2Findex.php%2Farabic%2F|title:Books||&#8221;][vc_separator][vc_column_text]<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #ffffff;\">Francais<br \/>\n<\/span><\/h3>\n<h2 style=\"text-align: left;\"><span style=\"color: #ffffff;\">\u00c0 PROPOS D\u2019AMR<br \/>\n<\/span><\/h2>\n<p style=\"text-align: left; color: #ffffff;\">Amr Muneer Dahab est un ecrivain et po\u00e8te soudanais, principalement connu pour ses essais critiques sur des questions culturelles, litt\u00e9raires, intellectuelles et politiques controvers\u00e9es dans le monde arabe et dans le monde.<\/p>\n<p>[\/vc_column_text][vc_btn title=&#8221;More&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#6b5540&#8243; custom_text=&#8221;#ffffff&#8221; size=&#8221;sm&#8221; align=&#8221;right&#8221; link=&#8221;url:http%3A%2F%2Fnasdahab.com%2Findex.php%2Ffrancais%2F|title:Books||&#8221;][vc_separator][vc_column_text]<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #ffffff;\">Espa\u00f1ol<br \/>\n<\/span><\/h3>\n<h2 style=\"text-align: left;\"><span style=\"color: #ffffff;\">SOBRE AMR<br \/>\n<\/span><\/h2>\n<p style=\"text-align: left; color: #ffffff;\">Amr Muneer Dahab es un ensayista y poeta sudan\u00e9s, ampliamente conocido por sus ensayos cr\u00edticos, en los que trata temas controvertidos de car\u00e1cter cultural, literario, intelectual y pol\u00edtico, relacionados tanto con el mundo \u00e1rabe, como internacional<\/p>\n<p>[\/vc_column_text][vc_btn title=&#8221;More&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#6b5540&#8243; custom_text=&#8221;#ffffff&#8221; size=&#8221;sm&#8221; align=&#8221;right&#8221; link=&#8221;url:http%3A%2F%2Fnasdahab.com%2Findex.php%2Fespanol%2F|title:Books||&#8221;][vc_separator][vc_column_text]<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #ffffff;\">Deutsch<br \/>\n<\/span><\/h3>\n<h2 style=\"text-align: left;\"><span style=\"color: #ffffff;\">\u00dcBER AMR<br \/>\n<\/span><\/h2>\n<p style=\"text-align: left; color: #ffffff;\">Amr Muneer Dahab ist ein sudanesischer Essayist und Dichter, bekannt f\u00fcr seine kritischen Essays \u00fcber kontroverse kulturelle, literarische, intellektuelle und politische Themen in der arabischen Welt und weltweit.<\/p>\n<p>[\/vc_column_text][vc_btn title=&#8221;More&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#6b5540&#8243; custom_text=&#8221;#ffffff&#8221; size=&#8221;sm&#8221; align=&#8221;right&#8221; link=&#8221;url:http%3A%2F%2Fnasdahab.com%2Findex.php%2Fdeutsch%2F|title:Books||&#8221;][vc_separator][vc_column_text]<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #ffffff;\">Italiano<br \/>\n<\/span><\/h3>\n<h2 style=\"text-align: left;\"><span style=\"color: #ffffff;\">SU AMR<br \/>\n<\/span><\/h2>\n<p style=\"text-align: left; color: #ffffff;\">AAmr Muneer Dahab \u00e8 un saggista e poeta sudanese, noto soprattutto per i suoi saggi critici che affrontano controversie questioni culturali, letterarie, intellettuali e politiche nel mondo arabo e in tutto il mondo.<\/p>\n<p>[\/vc_column_text][vc_btn title=&#8221;More&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#6b5540&#8243; custom_text=&#8221;#ffffff&#8221; size=&#8221;sm&#8221; align=&#8221;right&#8221; link=&#8221;url:http%3A%2F%2Fnasdahab.com%2Findex.php%2Fitaliano%2F|title:Books||&#8221;][vc_separator][vc_column_text]<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #ffffff;\">\u6c49\u8bed<br \/>\n<\/span><\/h3>\n<h2 style=\"text-align: left;\"><span style=\"color: #ffffff;\">AMR \u7b80\u4ecb<br \/>\n<\/span><\/h2>\n<p style=\"text-align: left; color: #ffffff;\">\u82cf\u4e39\u6563\u6587\u5bb6\u548c\u8bd7\u4eba\uff0c \u4ee5\u5176\u8bc4\u8bba\u6587\u7ae0\u800c\u8457\u79f0\uff0c\u6587\u7ae0\u5185\u5bb9\u6d89\u53ca\u963f\u62c9\u4f2f\u4e16\u754c\u548c\u5168\u4e16\u754c\u6709\u4e89\u8bae\u7684\u6587\u5316\u3001\u6587\u5b66\u3001\u77e5\u8bc6\u548c\u653f\u6cbb\u7b49\u95ee\u9898\u3002\u4ed6\u5728\u65b0\u95fb\u8bc4\u8bba\u9886\u57df\u62e5\u670920\u591a\u5e74\u7684\u4e13\u680f\u4f5c\u5bb6\u7ecf\u9a8c<\/p>\n<p>[\/vc_column_text][vc_btn title=&#8221;More&#8221; style=&#8221;custom&#8221; custom_background=&#8221;#6b5540&#8243; custom_text=&#8221;#ffffff&#8221; size=&#8221;sm&#8221; align=&#8221;right&#8221; link=&#8221;url:http%3A%2F%2Fnasdahab.com%2Findex.php%2Fchinese%2F|title:Books||&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row&#8221; parallax=&#8221;content-moving&#8221; parallax_image=&#8221;492&#8243; parallax_speed_bg=&#8221;3&#8243; css=&#8221;.vc_custom_1561507196631{background-color: #1f2124 !important;}&#8221;][vc_column][vc_column_text] Amr Muneer Dahab is a Sudanese-born essayist and poet, best known for his critical essays tackling controversial cultural,<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/nasdahab.com\/index.php\/wp-json\/wp\/v2\/pages\/167"}],"collection":[{"href":"https:\/\/nasdahab.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nasdahab.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nasdahab.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nasdahab.com\/index.php\/wp-json\/wp\/v2\/comments?post=167"}],"version-history":[{"count":28,"href":"https:\/\/nasdahab.com\/index.php\/wp-json\/wp\/v2\/pages\/167\/revisions"}],"predecessor-version":[{"id":2143,"href":"https:\/\/nasdahab.com\/index.php\/wp-json\/wp\/v2\/pages\/167\/revisions\/2143"}],"wp:attachment":[{"href":"https:\/\/nasdahab.com\/index.php\/wp-json\/wp\/v2\/media?parent=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}